outcomes

Book chapter: ‘The Holding Space: Body of (as) Knowledge’ in forthcoming body^space^object edited collection. Basingstoke, Palgrave Publishers. Inclusion confirmed and publication date tbc.

Performances of Please Do Touch at Leicester New Walk Museum and Art Gallery, Saturday 1 and Sunday 2 December 2018 (see Media to watch the work)

Presentation at Practice/Research symposium at Leeds Beckett University, 5 July 2017

Performance of ‘Body of Knowledge’ at Nottingham Castle Museum and Arts Gallery, in Dance4's Nottdance Festival, Sunday 12th March 2017 (see Media to watch the work)

Conversation chaired by Betsy Gregory at Nottingham Castle Museum and Arts Gallery, in Dance4's Nottdance Festival, Sunday 12th March 2017 (see Media to watch the work)

Two open residency days at The Silk Mill Museum, Derby,  Saturday 7 January and Saturday 11 March 2017

Workshop, 'What's in your archive?' at Dance4's iC4C, 26 February 2017

Performance: 'Handle with Care' and panel discussion at InDialogue symposium, Nottingham Contemporary, 1st & 2nd December 2016 (see Media to watch the work)

Hosting an artist’s dinner at Dance4's iC4C, 16 September 2016

Indicative Bibliography

Bleeker, M. (2012) Introduction: on technology & memory. Performance Research, 17(3): 1-7.

Borggreen, G. and Gade, R. eds. (2013) Performing archives/archives of performance. Copenhagen, Museum Tusculanum Press.

Burt, R. (2003) ‘Memory, Repetition and Critical Intervention’, Performance Research, 8(2): 34-41.

De Laet, T. (2012) Dancing Metamemories. Performance Research, 17: 3.

Ramirez Ladron de Guevara, V. (2011) ‘Any body? The multiple bodies of the performer’ in Popat, S. and Pitches, J. (eds) (2011) Performance perspectives: a critical introduction. Basingstoke, Palgrave Macmillan.

Franko, M. (2012) ‘Editor’s note: revaluing the score: archival futurity’, in Dance Research Journal, 44(2),  winter: 1.

Gehm, S., Husemann, P. and Von Wilcke, K. (eds.) (2007) Knowledge in motion: perspectives of artistic and scientific research in dance. Transaction Publishers, New Brunswick, USA.

Griffiths, L. (2015) Dance practice and provenances: archival bodies of evidence, at Theatre & Performance Research Association (TaPRA) conference, University of Worcester, 8 – 10 September 2015.

Johnson, M. (2008) The meaning of the body: aesthetics of human understanding. Chicago, The University of Chicago Press.

Koch, S., Fuchs, T., Summa, M. & Muller, C. (eds.) (2013) Body memory, metaphor and movement. Amsterdam, John Benjamins Publishing Company.

Leigh-Foster, S. (2011) Choreographing empathy: kinaesthesia in performance. Routledge, Oxon.

Lepecki, A. (2010) ‘The body as archive: Will to re-enact and the afterlives of dances’ in Dance Research Journal.  42(2), Winter 2010: 28 - 48.

Lista, Marcella (2014) ‘Play dead – time, museums and the time-based arts’, in Dance Research Journal, 46(3), December 2014: 5-23.

Matluck Brooks, L. and Meglin, J. A. (eds) (2013) Preserving dance across time and space. Routledge, Oxon.  

Nachbar, M. (2011) ‘Training remembering’ in Dance Research Journal, 44(2), winter 2012: 1.

Roche, J. (2015). Multiplicity, embodiment and the contemporary dancer: moving identities. Basingstoke, Palgrave MacMillan.

Roms, H. (2013). Archiving legacies: who cares for performance remains?  in Borggreen, G. and Gade, R. (eds) (2013) Performing archives/archives of performance. Copenhagen, Museum Tusculanum Press.

Spector, N. (n.d) ‘Rauschenberg and Performance, 1963–67: a “poetry of infinite possibilities”’ in Hopps, W. and Davidson, S. (1998) Robert Rauschenberg; a retrospective, New York, Guggenheim Museum: 226-245.

Van Alphen, E. (2014) Staging the archive: art and photography in the age of new media, London, Reaktion Books.